HOW IS THE ACTION ON A BURNY GUITAR FULL

All of the hardware is original, and the gold plating is nice and bright on the Nashville-style bridge and stopbar, with more patina through the plating on the VH-1 humbucker covers. The stock gold Gotoh tuning machines turn smoothly and hold pitch well with metal tulip buttons.ДЄll of the original electronics are intact, with full-size pots that date to вЂ87 and the traditional LP dual Volume/Tone knob configuration. The headstock has a Gibson-esque split diamond pearl inlay, featuring the вЂњSвЂќ or вЂњlightning boltвЂќ styling that Burny implemented in 1989.

HOW IS THE ACTION ON A BURNY GUITAR FULL

The scale length measures 24 3/4', and the carved bone nut is a full 1 11/16' in width. The frets have good height and meat, showing light uniform wear on the crowns of the first two frets, with faint wear extending exclusively beneath the plain strings until fret 10, and virtually no wear further up the fretboard. The fretboard is a solid slab of dark, tight-grained ebonized rosewood with pearl block inlays, fret edge binding, and stock slender fretwire. The mahogany neck has a full 50s-style C profile carve with ideal chunk, measuring. The guitar is extremely lightweight for an LP-style instrument at 7lbs 15oz, professionally setup here at Mike & Mike's Guitar Bar with 10-46 strings, spot-on intonation, and low action. Known for their nuance, clarity, and dynamic response, the VH-1 design is perfectly suited for bringing out the best in this LP Custom. The tone is thick and wooly, with plenty of power and sustain from the pair of humbuckers.

This particular Burny is a faithful reissue of a '50s Custom, featuring a solid mahogany body, carved mahogany top, dark ebonized rosewood fretboard, black bonnet knobs, and a pair of Burny's lauded VH-1 PAF pickups. Crafted in Japan under the umbrella of the Fernandez company, Burny has long been celebrated for producing some of the most impressive 'lawsuit era' Customs on the market. For now I'll include this video of how it sounds through that Trace hybrid amp - but an all valve amp makes this really shine as this hybrid amp sounds harsh and jagged around the 'edges' of the notes.Up for sale, a 1989 Burny RLC-60 LP Custom Black Beauty electric guitar in excellent, 100% original condition and in perfect working order. I'm in the process of getting a low powered all valve amp so I can showcase the tru sounds of the guitars I post here. The guitar sounds great, just like a vintage strat should and that's through a Trace Elliot hybrid amp (valve preamp section coupled with a solid state output section). There also an air of quality about the fit and finish and this is a serious guitar that's bolted together as well as any!So if you chance to find one of these or indeed any guitar with a vintage strat neck profile, give it some time in your hands and you'll be rewarded. However, it wasn't long before the neck fit as well as my winter gloves and cords were a pleasure to play, even the more finger stretching and bar variety (purple rain is a standout knuckle buster). Sometimes, I would fret notes incorrectly as my fingers acclimatized to the new environment - and this is not a flaw on the part of Fernandes, but rather something you can expect when making a change from any modern board to vintage.

I had played vintage strat in the past, but this was my first vintage guitar to sit down with and attempt a lexicon of licks and runs with in quite a while. For starters, if your moving from something along the lines of a modern neck profile, well then give yourself time to become accustomed to the neck. Well, I mentioned it compared quite favorably to the original 64', but what does this mean in practice. When you get into the habit of doing this, you might be amazed at the difference between different strats, even those of the same model and year.Д«ut all this is of course redundant rhetoric if the guitar doesn't play well and feel right. With that in mind here is a video I just shot showing the acoustic properties of my Fernandes revival strat. Sure, you can add all the gain you want onto an acoustically dead instrument, however this will not sound or respond like an instrument which has these qualities in its unplugged condition. So, the next time you are trying out a guitar make sure you spend some time playing it unplugged, and pay attention to its natural acoustic properties. Why? Well if a guitar sounds good unplugged, then those qualities will carry on over into the amplified sound. A guitar that has good acoustic properties such as a natural ringing sustain, is a guitar you'll want to get your hands on. This may not seem very important but it is. However, I have not been able to find any demonstrating the unplugged tone. Well there a lot of videos online featuring the Fernandes revival.

How is the action on a burny guitar